| Practice the rhythms
              of different types of tunes by clapping
              your hands in time while you listen to
              music. Don’t
              even use the piano at this point -- just
              practice rhythm. Jigs are 6/8; reels
            are 4/4. Learn the basic scales and chords that
              apply to tunes in major and minor keys.
              Familiarize yourself with the 1,4 and
              5 chord of each key. These will correspond
              with the first, fourth and fifth note
              of the scale of the keys. You will play
              the 1,4, and 5 chord most often.  Practice the scales
              of the keys of D, G, and A; these are
            very common fiddle tune keys.  Ask a fiddler
                to record some tunes on tape for you
                (preferably some that are familiar
                to you), playing them over and over,
                slowly at first, gradually building
              up to speed. When you play them back
              (to accompany them) you won’t have
              to keep rewinding the tape. You can also
              play along with commercial recordings.
              If you are brand new to accompanying,
              your success happens when you realize
              you have played the WRONG chord. This
              means your ears are working!!! Another good
                method is to play along and just play
                the base note (in an octave if possible)
                and don’t play any
              chords. You will usually always play
              two of the same note. For example, follow
              this pattern: (in base notes) 11-44-11-55-11-44-1-5-11
              (end of first part of tune, 16 bars).
              This pattern applies to many jigs and
              reels; try it first, but don't depend
              on memorizing a pattern, try to use your
              EAR. Use the most basic
              accompaniment—boom chuck—which
              is usually one base note in left hand,
              one three-note chord in the right. After
              you are comfortable making the chord
              changes using this structure, add a base
              note in the left hand, (making that an
              octave) and add a fourth note to your
              right-hand chord, so that the chord should
              be (RH) 1-3-5-1 (notes). Practice inversions
                of chords up and down the keyboard.
                Start at or just above middle C. Play
                the "1" chord (three-note
              chord) inverting up as far as you can
              go, then come down with the "4" chord,
              back up again with the "5" chord,
              back down again with the "1".
              (Right hand only.) Practice playing
                in different positions on the keyboard;
                don’t just "hover"
              around middle C. Don’t play too
              high up the keyboard either (right hand). The piano is
                also a percussion instrument. So, rhythm
                is important--more important than the
                correct chords. Pay attention to the
                tempo of the main melody maker. Don’t be so wrapped up in playing
              the correct chords that you forget. If
              you don’t get a chord one time
              around, don’t worry, you’ll
              get it next time or the time after. NEVER
              stop - keep going. Stopping can put you
              and everyone else out of sync. Monitor the volume of your playing.
              NEVER be louder than the main melody
              instrument, or in a band situation, the
              rest of the instruments. The fiddle,
              in particular, in a very small instrument
              compared to a piano. If you are working
              with sound equipment, ask the sound person
              to adjust your volume so that you are
              never louder than the rest. That way,
              you can be comfortable. Do not play heavily
              all the time--vary your touch. Use the sustain
                pedal moderately, but use it. Do not
                carry chord sounds into one another
                i.e. let up on the pedal after one
                chord so that sound doesn’t
              carry into the next different chord you
              play.
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